1 00:00:00,000 --> 00:00:03,300 On this episode of Ghost Hunters, 2 00:00:03,300 --> 00:00:05,300 TAPS travels to Cape Cod 3 00:00:05,300 --> 00:00:08,300 to investigate a favorite haunt of the mob. 4 00:00:08,300 --> 00:00:11,300 In the roaring 20s, they used to bring the bootleg whiskey, 5 00:00:11,300 --> 00:00:15,300 and there was a woman that was murdered right outside the inn. 6 00:00:15,300 --> 00:00:18,800 Jason and Grant solicit help from a lady of the night. 7 00:00:18,800 --> 00:00:20,300 Hannah, are you here? 8 00:00:20,300 --> 00:00:22,500 Were you forced to be a prostitute? 9 00:00:22,500 --> 00:00:25,300 What's up? Sounded like a scream. 10 00:00:25,300 --> 00:00:27,500 While a bright light gives Chris and Amy 11 00:00:27,500 --> 00:00:30,000 the answers to all their questions. 12 00:00:30,000 --> 00:00:35,000 Was the person who hurt you someone who was a customer here? 13 00:00:35,000 --> 00:00:36,000 Yes. 14 00:00:36,000 --> 00:00:38,500 And Britton Joe confronted Ghost 15 00:00:38,500 --> 00:00:41,000 with the power to break a man's mind. 16 00:00:41,000 --> 00:00:44,000 You're not gonna scare us? You're not gonna make us go crazy? 17 00:00:44,000 --> 00:00:45,500 That sounded like a bang. 18 00:00:45,500 --> 00:00:49,500 Will the team dig up the spirits, haunting the Orleans Inn? 19 00:00:49,500 --> 00:00:52,000 Who was that? Yeah, did you see that? 20 00:00:52,000 --> 00:00:54,000 It looked like someone walked right towards the door. 21 00:00:58,000 --> 00:01:03,000 The Orleans Inn 22 00:01:03,000 --> 00:01:05,000 It's Orleans Inn. 23 00:01:05,000 --> 00:01:07,000 I think it's gonna be beautiful out there. 24 00:01:07,000 --> 00:01:08,000 I mean, we're heading to the Cape. 25 00:01:08,000 --> 00:01:10,000 Cape Cod. A lot of history out there, too. 26 00:01:10,000 --> 00:01:12,000 Yeah, there is. And they've got a lot of great clients as well 27 00:01:12,000 --> 00:01:14,000 from everything I've been hearing. 28 00:01:14,000 --> 00:01:15,000 Let's see what Chris has. 29 00:01:15,000 --> 00:01:16,000 Hey, Chris. 30 00:01:16,000 --> 00:01:17,000 Hey, Grant. 31 00:01:17,000 --> 00:01:18,500 Can you tell us about this place? 32 00:01:18,500 --> 00:01:21,000 Okay, guys, this place has a long, long history. 33 00:01:21,000 --> 00:01:23,000 It was built back in 1875. 34 00:01:23,000 --> 00:01:25,000 It was originally built as a family home, 35 00:01:25,000 --> 00:01:28,000 and it was eventually turned into a hotel and restaurant. 36 00:01:28,000 --> 00:01:31,500 It became a hotspot for the Irish mob during prohibition. 37 00:01:31,500 --> 00:01:33,000 What about the claims, Chris? 38 00:01:33,000 --> 00:01:35,000 There are a lot of claims at this place, guys. 39 00:01:35,000 --> 00:01:38,000 Back in 1996, when they started renovating it, 40 00:01:38,000 --> 00:01:40,500 the construction workers were seeing shadows. 41 00:01:40,500 --> 00:01:43,000 They were having doors open and closed on them. 42 00:01:43,000 --> 00:01:46,000 Employees have seen glasses slide right off the tables. 43 00:01:46,000 --> 00:01:48,500 They're also saying they have apparitions here, 44 00:01:48,500 --> 00:01:52,500 and they believe they are people who committed suicide on the property. 45 00:01:52,500 --> 00:01:54,500 Activity all over the place, guys. 46 00:01:54,500 --> 00:01:56,000 There's a lot of people that work there, 47 00:01:56,000 --> 00:01:57,500 and they're just looking for answers. 48 00:01:57,500 --> 00:02:00,000 This is a really big place, and we're going to need the extra help. 49 00:02:00,000 --> 00:02:02,500 So we got Brett with us, and Joe Chin's going to meet us there. 50 00:02:02,500 --> 00:02:04,000 All right, guys, this sounds really cool. 51 00:02:04,000 --> 00:02:05,000 We're almost there. 52 00:02:11,000 --> 00:02:12,000 Hello. 53 00:02:12,000 --> 00:02:13,500 Welcome to the Orleans Inn. 54 00:02:13,500 --> 00:02:14,500 Thank you, I'm Jim. 55 00:02:14,500 --> 00:02:15,500 How you doing, Grant? 56 00:02:15,500 --> 00:02:16,500 Very nice to meet you, Grant. 57 00:02:16,500 --> 00:02:17,500 Steve, pleasure. 58 00:02:17,500 --> 00:02:18,500 Nice to meet you. 59 00:02:18,500 --> 00:02:19,500 So what's some of the history here? 60 00:02:19,500 --> 00:02:22,000 The inn was built in 1875 by Aaron Snow, 61 00:02:22,000 --> 00:02:26,000 and this level was a hardware store, and his family lived above. 62 00:02:26,000 --> 00:02:29,000 It's had a checkered past in the roaring 20s, 63 00:02:29,000 --> 00:02:31,500 and they used to bring the bootleg whiskey in through the cult. 64 00:02:31,500 --> 00:02:35,000 They would store it in various hidden rooms inside the inn. 65 00:02:35,000 --> 00:02:38,000 Around that time, it was also a house, a repute, 66 00:02:38,000 --> 00:02:42,000 and there was a woman that was murdered right outside the inn. 67 00:02:42,000 --> 00:02:44,000 Would you be able to tell me what her name is? 68 00:02:44,000 --> 00:02:45,000 Hannah. 69 00:02:45,000 --> 00:02:46,000 Supposedly Hannah. 70 00:02:46,000 --> 00:02:48,500 So we hear there's a lot of paranormal activity that goes on here. 71 00:02:48,500 --> 00:02:53,000 Yes, back in 1996, my dad bought the place. 72 00:02:53,000 --> 00:02:58,000 I was 18 at the time, and I was sent up to do the renovations. 73 00:02:58,000 --> 00:03:03,500 One of my duties was making sure that the place was all locked up. 74 00:03:03,500 --> 00:03:06,000 I went through starting at the cupola level, 75 00:03:06,000 --> 00:03:10,000 coming all the way down, making sure that every door and window was locked. 76 00:03:10,000 --> 00:03:15,000 The last things that I did was make sure that the front door was locked as I was leaving, 77 00:03:15,000 --> 00:03:21,500 and came in the next day, and the front door was completely open. 78 00:03:21,500 --> 00:03:25,000 It was the door that had one of the clasps from the inside, 79 00:03:25,000 --> 00:03:27,500 and I walked in and no one was in here. 80 00:03:27,500 --> 00:03:28,500 Wow, okay. 81 00:03:28,500 --> 00:03:30,500 So anything else in this area? 82 00:03:30,500 --> 00:03:34,000 Inside here, my father was sleeping on the couch, 83 00:03:34,000 --> 00:03:39,500 and there was a naked woman dancing right in this area when he woke up. 84 00:03:39,500 --> 00:03:43,000 And I come to realize at that time, 85 00:03:43,000 --> 00:03:46,000 there wasn't any guests that matched that description, 86 00:03:46,000 --> 00:03:50,000 so I'm pretty confident that it was Hannah. 87 00:03:50,000 --> 00:03:52,000 All right, so what goes on in here? 88 00:03:52,000 --> 00:03:56,000 Now inside the dining room, there's been stories of servers at the end of the night 89 00:03:56,000 --> 00:03:59,000 blowing out all the candles, and then coming back in, 90 00:03:59,000 --> 00:04:02,000 and a few of the candles would be relit. 91 00:04:02,000 --> 00:04:04,000 I was clearing a table. 92 00:04:04,000 --> 00:04:07,000 In the corner of my eye, I see a person looking at me, 93 00:04:07,000 --> 00:04:12,000 wearing a plastic shirt, and when I look over there, it was nobody there. 94 00:04:13,000 --> 00:04:15,000 Now here we are in the tavern. 95 00:04:15,000 --> 00:04:19,000 On that rail there of the bar, there's been a glass of beer 96 00:04:19,000 --> 00:04:22,000 that would move about three or four feet down that rail, 97 00:04:22,000 --> 00:04:26,000 and the story has been told by numerous people, probably a half a dozen times. 98 00:04:26,000 --> 00:04:28,000 Does it always slide the same direction? 99 00:04:28,000 --> 00:04:29,000 Same direction. 100 00:04:29,000 --> 00:04:31,000 All right, so what goes on in here? 101 00:04:31,000 --> 00:04:34,000 Now here we are in the kitchen from seven o'clock in the morning 102 00:04:34,000 --> 00:04:36,000 until 11.30, 12 o'clock at night. 103 00:04:36,000 --> 00:04:40,000 There was a gentleman that used to work here in the 70s named Paul. 104 00:04:40,000 --> 00:04:42,000 He'd worked himself to death basically. 105 00:04:42,000 --> 00:04:45,000 Now we've had kitchen staff when they come in in the morning 106 00:04:45,000 --> 00:04:49,000 report that they've seen a man well dressed with an apron 107 00:04:49,000 --> 00:04:53,000 walking downstairs almost as if someone had come to relieve his shift. 108 00:04:53,000 --> 00:04:56,000 This is where Paul lived, right where this workbench is. 109 00:04:56,000 --> 00:04:58,000 He had a bed that was set up, a cot, 110 00:04:58,000 --> 00:05:01,000 and there was one day that he didn't show up for work, 111 00:05:01,000 --> 00:05:03,000 and the manager went around looking, 112 00:05:03,000 --> 00:05:06,000 and in the afternoon finally did find him here hanging. 113 00:05:06,000 --> 00:05:10,000 This room is an area that at night people do not come in. 114 00:05:10,000 --> 00:05:12,000 We actually leave the lights on, 115 00:05:12,000 --> 00:05:15,000 but you get a distinct feeling when you're down here. 116 00:05:17,000 --> 00:05:19,000 Let me show you some of the guest rooms upstairs. 117 00:05:19,000 --> 00:05:21,000 Okay, so what goes on up here? 118 00:05:21,000 --> 00:05:23,000 Now here we're in room five, 119 00:05:23,000 --> 00:05:27,000 and on two separate occasions I've checked guests into this room. 120 00:05:27,000 --> 00:05:30,000 One woman came in just looking the book for the weekend. 121 00:05:30,000 --> 00:05:32,000 She ended up staying for about three months. 122 00:05:32,000 --> 00:05:35,000 We refused to let us come into the room. 123 00:05:35,000 --> 00:05:37,000 She was definitely losing her mind. 124 00:05:37,000 --> 00:05:40,000 And then there was also another woman, 125 00:05:40,000 --> 00:05:42,000 kind of the same scenario that checked in for the weekend. 126 00:05:42,000 --> 00:05:45,000 She was driven crazy also inside this room, 127 00:05:45,000 --> 00:05:49,000 and the noises if you would walk through the hallway 128 00:05:49,000 --> 00:05:51,000 did not sound human that were coming from her. 129 00:05:51,000 --> 00:05:53,000 You could tell that it was coming from the woman, 130 00:05:53,000 --> 00:05:55,000 but almost like a pack of wolves. 131 00:05:55,000 --> 00:05:57,000 It scared the death out of me. 132 00:05:57,000 --> 00:05:58,000 Wow. 133 00:05:58,000 --> 00:06:00,000 The first guest, we had to get the police involved 134 00:06:00,000 --> 00:06:01,000 to actually get rid of her, 135 00:06:01,000 --> 00:06:03,000 and the second guest, they didn't want to leave. 136 00:06:03,000 --> 00:06:06,000 We had to get her family involved to get her out of here. 137 00:06:06,000 --> 00:06:08,000 Now we're in room four. 138 00:06:08,000 --> 00:06:10,000 This has always been kind of a freaky room. 139 00:06:10,000 --> 00:06:13,000 My sister, when she was working on this room 140 00:06:13,000 --> 00:06:16,000 and inside the mirror, saw an image of a person. 141 00:06:16,000 --> 00:06:18,000 Okay, all right, so where to now? 142 00:06:18,000 --> 00:06:20,000 We're gonna go upstairs to the cupola. 143 00:06:20,000 --> 00:06:21,000 So what goes on up here? 144 00:06:21,000 --> 00:06:23,000 Fred was a bartender. 145 00:06:23,000 --> 00:06:25,000 He ended up hanging himself. 146 00:06:25,000 --> 00:06:27,000 One of the officers was telling us 147 00:06:27,000 --> 00:06:29,000 that it was one of the worst calls that he's ever been on, 148 00:06:29,000 --> 00:06:33,000 because it had been four or five days before they had found him. 149 00:06:33,000 --> 00:06:35,000 So it was a pretty gruesome sight. 150 00:06:35,000 --> 00:06:37,000 Everybody had left. 151 00:06:37,000 --> 00:06:39,000 The owners were away for the weekend, 152 00:06:39,000 --> 00:06:41,000 and they asked me to watch out for the inn. 153 00:06:41,000 --> 00:06:44,000 So I said, good night, Fred, just to be, you know, fresh. 154 00:06:44,000 --> 00:06:47,000 And I heard, good night. 155 00:06:47,000 --> 00:06:49,000 I started running. 156 00:06:49,000 --> 00:06:52,000 Well, what we're gonna do from here is go talk to the rest of the crew, 157 00:06:52,000 --> 00:06:54,000 start setting up the equipment, get the investigation done. 158 00:06:54,000 --> 00:06:55,000 Great. 159 00:06:55,000 --> 00:06:56,000 Thank you so much. 160 00:07:00,000 --> 00:07:02,000 I don't know, Dave. 161 00:07:02,000 --> 00:07:03,000 Come on. 162 00:07:03,000 --> 00:07:05,000 So we just finished the tour with Ryan here at the Orleans Inn, 163 00:07:05,000 --> 00:07:08,000 and quite honestly, I'm anxious to get inside and check out the claims. 164 00:07:08,000 --> 00:07:10,000 This is an unusual case. 165 00:07:10,000 --> 00:07:12,000 We have a place where two employees killed themselves, 166 00:07:12,000 --> 00:07:14,000 and two guests went crazy. 167 00:07:14,000 --> 00:07:16,000 We're not talking about a mental institution. 168 00:07:16,000 --> 00:07:18,000 This is a nice seaside inn. 169 00:07:18,000 --> 00:07:20,000 So we'll definitely be checking into that tonight. 170 00:07:20,000 --> 00:07:22,000 I'd like that camera to go as high as possible. 171 00:07:22,000 --> 00:07:24,000 Okay, Steve, that's as high as it can go. 172 00:07:24,000 --> 00:07:27,000 And I gotta say, it's a little different than the normal case. 173 00:07:27,000 --> 00:07:29,000 There's more claims of seeing apparitions 174 00:07:29,000 --> 00:07:32,000 than there are voices and things of that nature. 175 00:07:32,000 --> 00:07:34,000 Steve, I'm ready for you in the lobby. 176 00:07:34,000 --> 00:07:37,000 And it's great to see Joe Chin out here investigating with us tonight. 177 00:07:37,000 --> 00:07:40,000 Anytime Joe can get off the road from GHI and join us, he's always welcome too. 178 00:07:40,000 --> 00:07:42,000 Good job, gang. All tweaked. 179 00:07:42,000 --> 00:07:45,000 I just want to get in and sort of fact through fiction as you were left with. 180 00:07:45,000 --> 00:07:46,000 Hey. 181 00:07:46,000 --> 00:07:47,000 Hey, guys. 182 00:07:47,000 --> 00:07:48,000 Alright, we're all set. 183 00:07:48,000 --> 00:07:50,000 I'll show you the cameras we got lined up, and let me know if you guys like them. 184 00:07:50,000 --> 00:07:52,000 Camera one here is the kitchen. 185 00:07:52,000 --> 00:07:55,000 Of course, we have to cover that in case that apparition they claim to see 186 00:07:55,000 --> 00:07:56,000 heads down to the basement. 187 00:07:56,000 --> 00:07:57,000 Nice angle. 188 00:07:57,000 --> 00:07:59,000 Camera two is the dining room. 189 00:07:59,000 --> 00:08:03,000 Remember, he said that an employee had seen an apparition in there, 190 00:08:03,000 --> 00:08:06,000 and of course those candles relighting on their own. 191 00:08:06,000 --> 00:08:09,000 So we'll be able to get a bunch of different phenomena in there. 192 00:08:09,000 --> 00:08:12,000 This is the bedroom where the woman stayed for three months 193 00:08:12,000 --> 00:08:14,000 and left a little zany. 194 00:08:14,000 --> 00:08:16,000 Next camera is the lobby. 195 00:08:16,000 --> 00:08:20,000 And if you see here, this is the couch where his father was sleeping, 196 00:08:20,000 --> 00:08:24,000 and then this area right here is where he saw the dancing woman of the night. 197 00:08:24,000 --> 00:08:28,000 Then our final DVR camera, this is in the tavern, the bar. 198 00:08:28,000 --> 00:08:31,000 We have that pint glass there set up on top of a napkin 199 00:08:31,000 --> 00:08:33,000 recreating the situation they claim happens. 200 00:08:33,000 --> 00:08:35,000 Steve, is there anything in the glass? 201 00:08:35,000 --> 00:08:37,000 Yeah, there's nothing in the glass there right now, 202 00:08:37,000 --> 00:08:38,000 but we're going there. 203 00:08:38,000 --> 00:08:40,000 We can definitely pour some so we can... 204 00:08:40,000 --> 00:08:42,000 Yeah, I would put a glass without a napkin too, 205 00:08:42,000 --> 00:08:43,000 and see what happens. 206 00:08:43,000 --> 00:08:44,000 See what happens. Good idea. 207 00:08:44,000 --> 00:08:45,000 Yep. 208 00:08:45,000 --> 00:08:47,000 So we're pretty covered at this place. 209 00:08:47,000 --> 00:08:50,000 Well, let's get as many digital recorders out as we can with these cameras 210 00:08:50,000 --> 00:08:52,000 and how the school lights out. 211 00:08:52,000 --> 00:08:54,000 All right. Sounds good, guys. 212 00:09:08,000 --> 00:09:11,000 Jay and I started our investigation in the dining room. 213 00:09:11,000 --> 00:09:13,000 So in here they have the candles. 214 00:09:13,000 --> 00:09:15,000 Yeah, and I brought a lighter. 215 00:09:15,000 --> 00:09:19,000 These are lamp oil, which have been known to reignite. 216 00:09:19,000 --> 00:09:21,000 They're not put out properly. 217 00:09:21,000 --> 00:09:25,000 We wanted them to burn as we investigated other areas of the ends. 218 00:09:25,000 --> 00:09:28,000 We could then go back and blow them out and see if they re-light. 219 00:09:28,000 --> 00:09:31,000 We wanted to let them burn for a little bit so they would warm up, 220 00:09:31,000 --> 00:09:34,000 because typically a waitress having blown them out, 221 00:09:34,000 --> 00:09:36,000 they would have been on for most of the evening. 222 00:09:36,000 --> 00:09:38,000 All right. I think this is good, Jay. 223 00:09:38,000 --> 00:09:39,000 Let's head up. 224 00:09:39,000 --> 00:09:42,000 From there we headed up to the guest room area. 225 00:09:42,000 --> 00:09:44,000 This is the room the lady went crazy in. 226 00:09:44,000 --> 00:09:46,000 Two of them. 227 00:09:46,000 --> 00:09:50,000 All right. This is the Orleans Inn, Cape Cod, room five. 228 00:09:56,000 --> 00:09:58,000 Oh, it drives someone mad in here. 229 00:09:58,000 --> 00:10:00,000 I don't know on this. 230 00:10:00,000 --> 00:10:02,000 One person is weird. Two people. 231 00:10:02,000 --> 00:10:04,000 Are they a master or something? 232 00:10:04,000 --> 00:10:07,000 You know, it's something in this room that isn't in other rooms. 233 00:10:07,000 --> 00:10:09,000 I don't know. 234 00:10:09,000 --> 00:10:11,000 I'm laying on the bed. 235 00:10:11,000 --> 00:10:13,000 I'm just chilling out. 236 00:10:13,000 --> 00:10:15,000 You're going crazy, slowly. 237 00:10:17,000 --> 00:10:19,000 Is there anybody in here? 238 00:10:19,000 --> 00:10:22,000 Two women. 239 00:10:22,000 --> 00:10:25,000 They're staying in this room. 240 00:10:25,000 --> 00:10:27,000 Lost their mind a little bit. 241 00:10:27,000 --> 00:10:29,000 We'd love for you to come talk with us 242 00:10:29,000 --> 00:10:32,000 to do something to let us know you're here with us. 243 00:10:32,000 --> 00:10:34,000 We're going crazy. 244 00:10:34,000 --> 00:10:36,000 We're going crazy. 245 00:10:36,000 --> 00:10:39,000 I just feel like I'm at my grandmother's house. 246 00:10:39,000 --> 00:10:41,000 You know what I mean? 247 00:10:41,000 --> 00:10:43,000 I don't feel that there's anything in the... 248 00:10:43,000 --> 00:10:45,000 Oh. 249 00:10:45,000 --> 00:10:47,000 What's that? 250 00:10:47,000 --> 00:10:49,000 Sounded like a scream. 251 00:10:57,000 --> 00:11:00,000 I feel like I'm at my grandmother's house. 252 00:11:00,000 --> 00:11:02,000 I feel like I'm at my grandmother's house. 253 00:11:02,000 --> 00:11:04,000 I don't know. 254 00:11:04,000 --> 00:11:06,000 I feel like I'm at my grandmother's house. 255 00:11:06,000 --> 00:11:08,000 Yeah. 256 00:11:08,000 --> 00:11:10,000 I don't feel that there's anything in the... 257 00:11:10,000 --> 00:11:12,000 Oh. 258 00:11:12,000 --> 00:11:14,000 What's that? 259 00:11:14,000 --> 00:11:16,000 I don't know. 260 00:11:16,000 --> 00:11:18,000 Sounded like a scream. 261 00:11:18,000 --> 00:11:20,000 At one point we were sitting in a room five, 262 00:11:20,000 --> 00:11:22,000 and we were just talking, 263 00:11:22,000 --> 00:11:24,000 and all of a sudden you heard what sounded like a woman's scream. 264 00:11:24,000 --> 00:11:26,000 Sounded like it came from here. 265 00:11:26,000 --> 00:11:28,000 Just make sure the girls are okay. 266 00:11:28,000 --> 00:11:30,000 Chris, Amy. 267 00:11:30,000 --> 00:11:32,000 Go for Amy and Chris. 268 00:11:32,000 --> 00:11:34,000 Yeah, we're good. 269 00:11:34,000 --> 00:11:37,000 Did you just make any loud noises, like a scream or anything like that? 270 00:11:37,000 --> 00:11:39,000 No. 271 00:11:39,000 --> 00:11:41,000 Did you hear anything like that? 272 00:11:41,000 --> 00:11:44,000 No. Unfortunately in the kitchen there's a fridge that's kind of loud, 273 00:11:44,000 --> 00:11:47,000 so we don't hear anything really outside of here. 274 00:11:47,000 --> 00:11:49,000 All right. Thank you. 275 00:11:49,000 --> 00:11:51,000 Okay, you heard that too? 276 00:11:51,000 --> 00:11:53,000 Yeah, it sounded like it was coming from... 277 00:11:53,000 --> 00:11:55,000 I wouldn't say in the closet, because it's so small, 278 00:11:55,000 --> 00:11:57,000 but maybe the other side of the closet. 279 00:12:02,000 --> 00:12:04,000 Can you let us know that you're here? 280 00:12:04,000 --> 00:12:06,000 It may take a lot of energy. 281 00:12:08,000 --> 00:12:10,000 We investigated, Jay got up to look. 282 00:12:10,000 --> 00:12:12,000 No one was there. 283 00:12:12,000 --> 00:12:14,000 Hopefully our recorders caught that. 284 00:12:14,000 --> 00:12:16,000 Hannah, are you here? 285 00:12:16,000 --> 00:12:19,000 We heard what somebody did to you outside in the parking lot. 286 00:12:22,000 --> 00:12:24,000 When you tell us who it was, 287 00:12:24,000 --> 00:12:26,000 you're going to tell us who it was. 288 00:12:26,000 --> 00:12:28,000 You're going to tell us who it was. 289 00:12:28,000 --> 00:12:30,000 You're going to tell us who it was. 290 00:12:30,000 --> 00:12:33,000 We just really like to talk with you. 291 00:12:33,000 --> 00:12:35,000 Can you do something? 292 00:12:35,000 --> 00:12:38,000 Maybe knock on something, bang on something? 293 00:12:40,000 --> 00:12:42,000 Anything to let us know that you're here? 294 00:12:45,000 --> 00:12:50,000 All right. Are any of the people who decided to take their own lives here? 295 00:12:50,000 --> 00:12:53,000 Paul? Fred? 296 00:12:53,000 --> 00:12:55,000 Is Hannah here? 297 00:12:55,000 --> 00:12:57,000 No. 298 00:12:58,000 --> 00:13:00,000 Is Hannah here? 299 00:13:00,000 --> 00:13:03,000 Other than that, in room five, it's been pretty quiet. 300 00:13:03,000 --> 00:13:05,000 All right. 301 00:13:05,000 --> 00:13:07,000 Okay. 302 00:13:07,000 --> 00:13:09,000 But I look forward to analyzing the evidence 303 00:13:09,000 --> 00:13:11,000 and seeing if anything turns up on that 304 00:13:11,000 --> 00:13:13,000 and going from there. 305 00:13:20,000 --> 00:13:23,000 Britt and Joe in the basement, or the Orleans Inn? 306 00:13:23,000 --> 00:13:25,000 Yes. 307 00:13:26,000 --> 00:13:29,000 Joe and I were investigating Paul's room where he basically lived. 308 00:13:29,000 --> 00:13:31,000 We were checking the area out. It is a basement. 309 00:13:31,000 --> 00:13:34,000 So it makes sense that people would have that creepy, creeped-out feeling 310 00:13:34,000 --> 00:13:37,000 and then also knowing that someone hung themselves in that room. 311 00:13:37,000 --> 00:13:39,000 I should get the full-spent on camera going. 312 00:13:39,000 --> 00:13:42,000 The guys over in the TAPS lab really modified it, right? 313 00:13:42,000 --> 00:13:47,000 They added a chip set to it so that it'll maximize the unit's low light capabilities. 314 00:13:47,000 --> 00:13:50,000 So it really punches up the zero light stuff. 315 00:13:50,000 --> 00:13:52,000 Cool. 316 00:13:52,000 --> 00:13:55,000 So you're not going to hide the local electronics store? 317 00:13:55,000 --> 00:13:57,000 No. 318 00:13:57,000 --> 00:13:59,000 That's for sure. 319 00:13:59,000 --> 00:14:02,000 So, Paul, if you're here with us still, first off, 320 00:14:02,000 --> 00:14:06,000 I just want to know, is there any way you can let us know why you decided to hang yourself? 321 00:14:06,000 --> 00:14:09,000 Do you regret doing what you did? 322 00:14:09,000 --> 00:14:12,000 And is that why you're staying? 323 00:14:12,000 --> 00:14:17,000 To try to explain to the people that you were involved with? 324 00:14:18,000 --> 00:14:23,000 Would you perhaps make a sound? Touch one of us? 325 00:14:33,000 --> 00:14:40,000 That was your way of giving us a sign, a little knock there, that little pop, whatever that was. 326 00:14:40,000 --> 00:14:45,000 It's pretty cool, but not definitive enough for us. 327 00:14:45,000 --> 00:14:49,000 Can you knock twice like that? 328 00:15:03,000 --> 00:15:08,000 I was asking for signs, maybe to knock on something or push a piece of equipment over. 329 00:15:08,000 --> 00:15:10,000 How long is that? 330 00:15:10,000 --> 00:15:17,000 And also we got like a knock within the pipes, almost directly in response to us asking for it. 331 00:15:17,000 --> 00:15:19,000 Paul, are you in here? 332 00:15:22,000 --> 00:15:24,000 Hey, Joe, come here. 333 00:15:24,000 --> 00:15:27,000 See that sliver of light straight up and down right there? 334 00:15:27,000 --> 00:15:29,000 Let's keep an eye on it. 335 00:15:29,000 --> 00:15:32,000 Right next to the bike reflectors? 336 00:15:32,000 --> 00:15:34,000 You see that right there? 337 00:15:34,000 --> 00:15:36,000 Yeah, that looked like something was walking back and forth. 338 00:15:36,000 --> 00:15:38,000 In front of that? 339 00:15:38,000 --> 00:15:41,000 Can you see that sliver of light with the iron? 340 00:15:41,000 --> 00:15:50,000 It's washed out, but with your eyes, it does look like something's kind of going back and forth a little bit. 341 00:15:50,000 --> 00:15:56,000 There was a thin light down at the far end of the hall that seemed to have something passing in front of it. 342 00:15:56,000 --> 00:15:59,000 It seemed to almost waver a little bit back and forth. 343 00:15:59,000 --> 00:16:02,000 Move very slowly and quietly that way. 344 00:16:03,000 --> 00:16:09,000 Is that like a window over there? Where's that light coming from? 345 00:16:09,000 --> 00:16:12,000 Yeah, that's a window. 346 00:16:12,000 --> 00:16:13,000 Alright. 347 00:16:13,000 --> 00:16:20,000 There was a little sliver of light and to me what looked like is something was walking in front of the back and forth, kind of pacing maybe. 348 00:16:20,000 --> 00:16:22,000 No, I can't see any of it. 349 00:16:22,000 --> 00:16:24,000 But as we got closer to it, it stopped. 350 00:16:24,000 --> 00:16:28,000 So it's hard to say if the lights were playing tricks on me or if it was something else. 351 00:16:28,000 --> 00:16:32,000 So I'm hoping our equipment documented what was going on out there. 352 00:16:32,000 --> 00:16:34,000 It was definitely a cool personal experience. 353 00:16:38,000 --> 00:16:39,000 Alright. 354 00:16:39,000 --> 00:16:41,000 Alright, room four. 355 00:16:41,000 --> 00:16:42,000 Is this the kitty room? 356 00:16:42,000 --> 00:16:44,000 This is the kitty room. 357 00:16:44,000 --> 00:16:54,000 Amy and I were investigating in room four and there's a lot of claims of hearing cats in here and smelling cat urine in the closet and an image of a woman in the mirror who they believe to be Hannah. 358 00:16:54,000 --> 00:16:58,000 So what I'll do is set this up so that mirrors in the shot. 359 00:16:58,000 --> 00:16:59,000 Okay. 360 00:16:59,000 --> 00:17:05,000 So Amy and Chris, we are in room four with the cats and the image of the woman. 361 00:17:07,000 --> 00:17:08,000 Have you run a cat? 362 00:17:08,000 --> 00:17:09,000 I have, yeah. 363 00:17:09,000 --> 00:17:14,000 What do you think the odds are that that carpet pad under there is completely saturated in cat urine? 364 00:17:14,000 --> 00:17:17,000 Alright, I'll smell the frickin' four. 365 00:17:18,000 --> 00:17:20,000 You're seriously smelling the carpet? 366 00:17:20,000 --> 00:17:22,000 Oh yeah, I'm smelling the carpet. 367 00:17:22,000 --> 00:17:24,000 I'm agitating at first too. 368 00:17:32,000 --> 00:17:34,000 I don't smell any cat urine. 369 00:17:34,000 --> 00:17:39,000 Once we finished with our experiment in the closet, Chris and I decided to try to establish contact with Hannah. 370 00:17:39,000 --> 00:17:45,000 Did the person who hurt you, you know, did he get in trouble for what he did? 371 00:17:46,000 --> 00:17:49,000 Did they ever find out who did it? 372 00:17:49,000 --> 00:17:51,000 What can we do to help you? 373 00:17:53,000 --> 00:17:56,000 Do you ever wonder if you can leave? 374 00:17:56,000 --> 00:17:58,000 Do you feel like you can't? 375 00:18:00,000 --> 00:18:02,000 Is this... 376 00:18:03,000 --> 00:18:04,000 Do you hear something in the bathroom? 377 00:18:04,000 --> 00:18:05,000 I did. 378 00:18:05,000 --> 00:18:06,000 Yeah, did you? 379 00:18:06,000 --> 00:18:07,000 It's like a little dragging kind of sound. 380 00:18:07,000 --> 00:18:08,000 It sounds like wrestling. 381 00:18:08,000 --> 00:18:09,000 Yeah. 382 00:18:09,000 --> 00:18:10,000 Cats maybe? 383 00:18:11,000 --> 00:18:12,000 Hello. 384 00:18:12,000 --> 00:18:15,000 We started hearing movement in the bathroom. 385 00:18:15,000 --> 00:18:16,000 Is it this? 386 00:18:17,000 --> 00:18:19,000 Does that sound like it? 387 00:18:19,000 --> 00:18:20,000 Yeah. 388 00:18:20,000 --> 00:18:21,000 You know what that is, Chris? 389 00:18:21,000 --> 00:18:22,000 Curtain? 390 00:18:22,000 --> 00:18:23,000 Yep. 391 00:18:23,000 --> 00:18:24,000 No. 392 00:18:24,000 --> 00:18:25,000 Yep. 393 00:18:25,000 --> 00:18:27,000 So Amy decided to do the whole flashlight test. 394 00:18:27,000 --> 00:18:34,000 Basically it's taking a flashlight and then screwing it to the point where you just have to touch it a little bit to turn the light on. 395 00:18:34,000 --> 00:18:38,000 All right, Hannah, we're going to ask you some yes and no questions. 396 00:18:38,000 --> 00:18:42,000 If the answer is a yes, we need you to turn the light on. 397 00:18:42,000 --> 00:18:45,000 If the answer is a no, just leave the flashlight alone. 398 00:18:45,000 --> 00:18:47,000 You understand that? 399 00:18:47,000 --> 00:18:48,000 Okay. 400 00:18:48,000 --> 00:18:49,000 I just went on. 401 00:18:49,000 --> 00:18:50,000 I just went on. 402 00:18:50,000 --> 00:18:51,000 Are you serious? 403 00:18:51,000 --> 00:18:52,000 Yeah. 404 00:19:03,000 --> 00:19:07,000 All right, Hannah, we're going to ask you some yes and no questions. 405 00:19:07,000 --> 00:19:08,000 You understand that? 406 00:19:09,000 --> 00:19:10,000 Okay. 407 00:19:11,000 --> 00:19:12,000 I just went on. 408 00:19:12,000 --> 00:19:13,000 Are you serious? 409 00:19:13,000 --> 00:19:14,000 Yeah. 410 00:19:14,000 --> 00:19:16,000 Can you turn it off for us? 411 00:19:16,000 --> 00:19:18,000 Can you turn it off for us, please? 412 00:19:19,000 --> 00:19:21,000 Amy, that was cool. 413 00:19:23,000 --> 00:19:24,000 Can you turn it back on? 414 00:19:25,000 --> 00:19:27,000 So Amy set the flashlight up in the bathroom. 415 00:19:27,000 --> 00:19:32,000 We both set up on the bed and we just started asking questions again. 416 00:19:32,000 --> 00:19:34,000 Is it okay that we're here? 417 00:19:37,000 --> 00:19:38,000 That's so cool. 418 00:19:40,000 --> 00:19:43,000 Hannah, my name's Chris and this is Amy. 419 00:19:44,000 --> 00:19:48,000 Now, this guy that hurt you, is it somebody you knew well? 420 00:19:52,000 --> 00:19:54,000 Was he a customer? 421 00:19:54,000 --> 00:19:57,000 Did he come here for services from women? 422 00:19:59,000 --> 00:20:01,000 Was he somebody who worked at the end? 423 00:20:01,000 --> 00:20:02,000 Oh. 424 00:20:04,000 --> 00:20:07,000 We're not sure what that was a yes to. 425 00:20:07,000 --> 00:20:14,000 Was the person who hurt you someone who was a customer here? 426 00:20:14,000 --> 00:20:16,000 Was he a cus- yes. 427 00:20:16,000 --> 00:20:18,000 Yeah, it just came right on. 428 00:20:20,000 --> 00:20:23,000 Is there somebody else in this room with you? 429 00:20:23,000 --> 00:20:24,000 On? 430 00:20:31,000 --> 00:20:32,000 Steps in the hallway. 431 00:20:33,000 --> 00:20:34,000 Sound this poor, though? 432 00:20:34,000 --> 00:20:37,000 Sound like it's above us. Is there another floor or us? 433 00:20:37,000 --> 00:20:38,000 The goop-a. 434 00:20:40,000 --> 00:20:41,000 Nobody's up there, though, right? 435 00:20:41,000 --> 00:20:43,000 Is there somebody upstairs? 436 00:20:46,000 --> 00:20:47,000 Hannah? 437 00:20:48,000 --> 00:20:49,000 Who's upstairs? 438 00:20:53,000 --> 00:20:55,000 Hello? Who's up here? 439 00:21:01,000 --> 00:21:02,000 What are these two? 440 00:21:03,000 --> 00:21:04,000 What are these two? 441 00:21:09,000 --> 00:21:11,000 Somebody go up here? 442 00:21:12,000 --> 00:21:15,000 That was totally somebody walking above us. 443 00:21:15,000 --> 00:21:18,000 There was nobody up there, there was nobody in those rooms, there was nobody in the coup de l'aix. 444 00:21:18,000 --> 00:21:20,000 The hell is going on? 445 00:21:20,000 --> 00:21:22,000 I have no idea, but that was friggin' crazy. 446 00:21:22,000 --> 00:21:33,000 Alright, so the flame's in here just so I got him right. Is that that glass of- 447 00:21:35,000 --> 00:21:36,000 Did you just hear that? 448 00:21:36,000 --> 00:21:37,000 Yeah. 449 00:21:37,000 --> 00:21:38,000 Something shushed us? 450 00:21:38,000 --> 00:21:40,000 Someone shh. 451 00:21:42,000 --> 00:21:44,000 Did someone just shush us? 452 00:21:44,000 --> 00:21:49,000 When we first came into the bar area, we heard what sounded like a shh. 453 00:21:50,000 --> 00:21:53,000 This is a bar. We're supposed to be able to talk in here. 454 00:21:54,000 --> 00:21:58,000 We checked around the bar and there are several refrigerators, ice machines. 455 00:21:58,000 --> 00:22:01,000 It might have been a compressor kicking on. 456 00:22:01,000 --> 00:22:05,000 Alright, this glass. We'll see if this bar is level. 457 00:22:06,000 --> 00:22:12,000 I did a little bit of bartending in my day and I know that a glass that's filled with water and ice. 458 00:22:12,000 --> 00:22:13,000 Right. 459 00:22:13,000 --> 00:22:14,000 Condensation. 460 00:22:14,000 --> 00:22:15,000 Absolutely. 461 00:22:15,000 --> 00:22:16,000 All built up and... 462 00:22:20,000 --> 00:22:23,000 Damn, let's try one of these too. 463 00:22:23,000 --> 00:22:27,000 When Joe and I got in the tavern, I was really interested in the glasses and moving on the bar. 464 00:22:27,000 --> 00:22:30,000 I personally have experience on that on past cases. 465 00:22:30,000 --> 00:22:34,000 It boils down to condensation and the water getting underneath the glass. 466 00:22:34,000 --> 00:22:39,000 Someone picks it up to drink and they set it down and it just hits just right to form an air pocket underneath the glass 467 00:22:39,000 --> 00:22:41,000 and all of a sudden it'll shoot off to one side. 468 00:22:41,000 --> 00:22:44,000 We'll just put a bunch of stuff out here to see what happens. See if any of it blows. 469 00:22:45,000 --> 00:22:46,000 Some cognac? 470 00:22:50,000 --> 00:22:54,000 Even with water on it, it doesn't... 471 00:22:54,000 --> 00:22:57,000 It actually, it doesn't move that smooth. 472 00:22:57,000 --> 00:23:01,000 It's an intriguing claim and we weren't able to reproduce it with the water and the glasses on the bar. 473 00:23:01,000 --> 00:23:03,000 But am I ready to call this paranormal? 474 00:23:03,000 --> 00:23:04,000 No, I'm not. 475 00:23:04,000 --> 00:23:10,000 You know, we've got the DVR cameras in here and we'll leave the full spectrum camera on the glasses and we'll end up with the team get in here. 476 00:23:10,000 --> 00:23:11,000 Yeah. 477 00:23:11,000 --> 00:23:12,000 Yeah. 478 00:23:16,000 --> 00:23:19,000 After we investigate the bar, Joe and I decide to go check out room 5. 479 00:23:19,000 --> 00:23:21,000 This is the room where the two ladies went crazy? 480 00:23:21,000 --> 00:23:22,000 Yes. 481 00:23:22,000 --> 00:23:23,000 And it's fairly recent. 482 00:23:23,000 --> 00:23:27,000 Within the last 12 years, two separate people went off the edge. 483 00:23:27,000 --> 00:23:28,000 That's pretty bizarre. 484 00:23:32,000 --> 00:23:35,000 What is it about this room that would make somebody go crazy? 485 00:23:35,000 --> 00:23:39,000 What is it like? You know, could it be carbon monoxide poisoning? 486 00:23:39,000 --> 00:23:42,000 High EMF fields? But you're already checking that, right? 487 00:23:42,000 --> 00:23:46,000 I'm checking the EMF right now. I mean, it's 0.3. 488 00:23:48,000 --> 00:23:52,000 0.2? 0.3? I mean, it's nothing out of the ordinary. 489 00:23:54,000 --> 00:23:57,000 Let's do an EVP session and see if we can get some kind of reaction. 490 00:23:57,000 --> 00:23:58,000 Okay. 491 00:23:59,000 --> 00:24:01,000 My name is Britt. This is my buddy Joe. 492 00:24:02,000 --> 00:24:06,000 You're not going to scare us. You're not going to make us go crazy. 493 00:24:06,000 --> 00:24:12,000 We would like to know if you messed with these ladies' minds to make them kind of flip out. 494 00:24:12,000 --> 00:24:15,000 I just know you're here. I just know you can understand you. 495 00:24:17,000 --> 00:24:20,000 I've got a couple devices here on the bed, that green light. 496 00:24:22,000 --> 00:24:24,000 That sounded like a bang. 497 00:24:25,000 --> 00:24:26,000 What the hell? 498 00:24:31,000 --> 00:24:34,000 My name is Britt. This is my buddy Joe. 499 00:24:34,000 --> 00:24:38,000 You're not going to scare us. You're not going to make us go crazy. 500 00:24:38,000 --> 00:24:42,000 But, uh, we would like to talk to you. 501 00:24:43,000 --> 00:24:49,000 Britt and I were investigating Room 5, where the claims of two women on separate occasions that stayed there, 502 00:24:49,000 --> 00:24:51,000 I guess they went crazy. 503 00:24:53,000 --> 00:24:56,000 We've got a couple devices here on the bed, that green light. 504 00:24:57,000 --> 00:24:58,000 That sounded like a bang. 505 00:24:59,000 --> 00:25:00,000 What the hell? 506 00:25:01,000 --> 00:25:02,000 I don't know. 507 00:25:17,000 --> 00:25:19,000 What the hell is that? 508 00:25:19,000 --> 00:25:20,000 I don't know. 509 00:25:20,000 --> 00:25:23,000 There was like a bang that came out of the bathroom. 510 00:25:23,000 --> 00:25:25,000 We immediately checked it out. 511 00:25:25,000 --> 00:25:27,000 We weren't able to discern exactly what it was, 512 00:25:27,000 --> 00:25:31,000 but it was just interesting that it happened right when we asked for a sign. 513 00:25:31,000 --> 00:25:34,000 Is there any way you can leave us a message on the recorder? 514 00:25:35,000 --> 00:25:37,000 Do you just not want anybody in here? 515 00:25:39,000 --> 00:25:42,000 That same note, do you want them to put people in here so you can pray on them? 516 00:25:43,000 --> 00:25:45,000 Are you looking for weak-minded people? 517 00:25:45,000 --> 00:25:48,000 For people who are vulnerable to come in here so you can pray on them? 518 00:25:48,000 --> 00:25:50,000 Is that what you're after? 519 00:25:51,000 --> 00:25:54,000 Or are you happy to where it is and that you want this room for yourself? 520 00:25:54,000 --> 00:25:56,000 If that's the way it is, then say it. 521 00:25:56,000 --> 00:25:58,000 You want this room for yourself. 522 00:26:03,000 --> 00:26:05,000 Do you want this room to yourself? 523 00:26:05,000 --> 00:26:06,000 Knock on the wall for us. 524 00:26:14,000 --> 00:26:17,000 Oh, I say we wrap this room up and move on to the next. 525 00:26:17,000 --> 00:26:18,000 Okay. 526 00:26:18,000 --> 00:26:19,000 All right. 527 00:26:19,000 --> 00:26:23,000 We did a great EVP session, did a little kind of some refer questions. 528 00:26:23,000 --> 00:26:27,000 We tried to get the noise in the bathroom to repeat, but we only heard it that one time. 529 00:26:27,000 --> 00:26:28,000 I really don't know. 530 00:26:28,000 --> 00:26:31,000 I just, I think we need to really study that one a little more. 531 00:26:34,000 --> 00:26:36,000 All right, Dave, we're gonna go this way. 532 00:26:38,000 --> 00:26:42,000 Tell you when I entered the basement, when employee named Paul was found hanging. 533 00:26:42,000 --> 00:26:44,000 This area right here is where you hung himself. 534 00:26:44,000 --> 00:26:46,000 His feet were probably wagging right about here. 535 00:26:46,000 --> 00:26:47,000 Yeah. 536 00:26:47,000 --> 00:26:50,000 Because all these pipes in this ceiling right here, this is all, you know, this is all rebuilt. 537 00:26:50,000 --> 00:26:51,000 Oh, so it was higher? 538 00:26:51,000 --> 00:26:52,000 It was a little bit higher. 539 00:26:52,000 --> 00:26:53,000 I see. 540 00:26:53,000 --> 00:26:54,000 Can you imagine? 541 00:26:54,000 --> 00:26:55,000 Imagine seeing that, man. 542 00:27:05,000 --> 00:27:09,000 Now, when this heating unit Dave kicked on, we started to get some EMFs. 543 00:27:09,000 --> 00:27:11,000 130, 180. 544 00:27:11,000 --> 00:27:12,000 Yes. 545 00:27:12,000 --> 00:27:15,000 Whoever comes down here is exposed to some really high EMFs. 546 00:27:15,000 --> 00:27:17,000 There's a small room, too. 547 00:27:17,000 --> 00:27:20,000 And if you're working on this bench, right, and you're sitting down, 548 00:27:20,000 --> 00:27:22,000 it's coming right into the back of your head. 549 00:27:22,000 --> 00:27:23,000 Right. 550 00:27:26,000 --> 00:27:27,000 Paul! 551 00:27:29,000 --> 00:27:31,000 Your friend Stephen Dave are here. 552 00:27:33,000 --> 00:27:36,000 We don't know why life was so bad that you had to take your own life. 553 00:27:37,000 --> 00:27:39,000 We're here to talk to you. 554 00:27:41,000 --> 00:27:42,000 Where are you? 555 00:27:42,000 --> 00:27:44,000 You can't see you. 556 00:27:47,000 --> 00:27:49,000 Did you hate sleeping in the basement here? 557 00:27:49,000 --> 00:27:51,000 We know your bed was down here. 558 00:27:54,000 --> 00:27:58,000 That's one of the most morbid things I think anyone could ever see. 559 00:27:58,000 --> 00:28:01,000 Do you see someone hanging there, lifeless? 560 00:28:01,000 --> 00:28:04,000 It's just... God, I couldn't even do it. 561 00:28:04,000 --> 00:28:05,000 No, you block it out. 562 00:28:05,000 --> 00:28:07,000 The smell is what gets to you. 563 00:28:07,000 --> 00:28:08,000 It starts smelling that fast, huh? 564 00:28:08,000 --> 00:28:09,000 It makes you start smelling. 565 00:28:09,000 --> 00:28:10,000 Same day it'll smell. 566 00:28:10,000 --> 00:28:11,000 Really? 567 00:28:11,000 --> 00:28:12,000 Oh, yeah. You kidding me? 568 00:28:12,000 --> 00:28:15,000 The first thing even body does is evacuate from every orifice. 569 00:28:15,000 --> 00:28:16,000 Oh! 570 00:28:16,000 --> 00:28:17,000 Oh, man. 571 00:28:17,000 --> 00:28:18,000 Oh. 572 00:28:20,000 --> 00:28:21,000 Hey, Paul. 573 00:28:22,000 --> 00:28:24,000 We're looking through all your stuff. 574 00:28:25,000 --> 00:28:27,000 What if we take something? 575 00:28:28,000 --> 00:28:31,000 We're usually not thieves, but a lot of this stuff looks cool. 576 00:28:33,000 --> 00:28:34,000 Paul, are you here? 577 00:28:39,000 --> 00:28:41,000 Well, Dave, you know, we've spent a good amount of time down here. 578 00:28:41,000 --> 00:28:42,000 Yeah, we did. 579 00:28:42,000 --> 00:28:45,000 I think people could be influenced by EMF when they're down here. 580 00:28:45,000 --> 00:28:46,000 And the story. 581 00:28:46,000 --> 00:28:47,000 And the story. 582 00:28:47,000 --> 00:28:51,000 And we have a camera down here, so if something happens, we'll get it. 583 00:28:51,000 --> 00:28:52,000 Bye, Paul. See you later. 584 00:28:52,000 --> 00:28:53,000 Paul, thank you. 585 00:29:02,000 --> 00:29:04,000 We're gonna head down now, blow out the candles, 586 00:29:04,000 --> 00:29:06,000 and see if any of them light up. 587 00:29:08,000 --> 00:29:09,000 You start over there. 588 00:29:17,000 --> 00:29:18,000 All right. 589 00:29:20,000 --> 00:29:21,000 Okay. 590 00:29:21,000 --> 00:29:23,000 Now, some men are just waiting to see if they light up. 591 00:29:23,000 --> 00:29:24,000 See what happens. 592 00:29:26,000 --> 00:29:29,000 From there, Grant and I decided we're going to head into the lobby area 593 00:29:29,000 --> 00:29:33,000 and try to see if we're able to catch this so-called undressed woman 594 00:29:33,000 --> 00:29:35,000 who danced in the lobby. 595 00:29:35,000 --> 00:29:36,000 We're ready for the show. 596 00:29:39,000 --> 00:29:40,000 To help? 597 00:29:40,000 --> 00:29:41,000 I'll give you some way to action. 598 00:29:41,000 --> 00:29:42,000 For the atmosphere? 599 00:29:42,000 --> 00:29:44,000 Okay, too, let's just jump it like that. 600 00:29:47,000 --> 00:29:48,000 Can you come out? 601 00:29:49,000 --> 00:29:50,000 Say hello? 602 00:29:51,000 --> 00:29:52,000 Promise we won't touch. 603 00:29:54,000 --> 00:29:57,000 Now, one of the reports was that, as people said, 604 00:29:57,000 --> 00:30:00,000 good night to Paul, that he would say good night back. 605 00:30:00,000 --> 00:30:02,000 So we tried that a couple of times. 606 00:30:02,000 --> 00:30:03,000 Good night, Paul. 607 00:30:06,000 --> 00:30:08,000 Hey, we're heading out of here. Good night. 608 00:30:08,000 --> 00:30:09,000 Who was that? 609 00:30:09,000 --> 00:30:10,000 Yeah, did you see that? 610 00:30:10,000 --> 00:30:12,000 I looked like someone walked right towards the door. 611 00:30:28,000 --> 00:30:31,000 Grant and I decided we're going to head into the lobby area. 612 00:30:32,000 --> 00:30:33,000 Who was that? 613 00:30:33,000 --> 00:30:34,000 Yeah, did you see that? 614 00:30:34,000 --> 00:30:36,000 I looked like someone walked right towards the door. 615 00:30:36,000 --> 00:30:37,000 Did you not see that? 616 00:30:37,000 --> 00:30:39,000 I did not see that. I was looking over here. 617 00:30:40,000 --> 00:30:43,000 I noticed a shadow run behind our cameraman 618 00:30:43,000 --> 00:30:45,000 towards the front door. 619 00:30:45,000 --> 00:30:47,000 It might have been caused by a car, I don't know, 620 00:30:47,000 --> 00:30:49,000 because I wasn't staring directly at it. 621 00:30:49,000 --> 00:30:51,000 The cameraman seemed to react to something. 622 00:30:51,000 --> 00:30:53,000 I thought he was reacting to the shadow. 623 00:30:53,000 --> 00:30:54,000 Are you seeing that, Brian? 624 00:30:54,000 --> 00:30:55,000 I saw that one. 625 00:30:55,000 --> 00:30:58,000 I initially turned out because I heard a bang. 626 00:30:58,000 --> 00:30:59,000 No, it... 627 00:31:00,000 --> 00:31:04,000 Just a solid black mass is going behind you a couple of times now. 628 00:31:04,000 --> 00:31:06,000 At first, I didn't see them, but Grant did. 629 00:31:06,000 --> 00:31:09,000 And then the last couple of times, I was able to... 630 00:31:09,000 --> 00:31:11,000 Let me get that camera over there. 631 00:31:25,000 --> 00:31:27,000 I was not the cars driving by 632 00:31:27,000 --> 00:31:29,000 because headlights coming through actually cast 633 00:31:29,000 --> 00:31:30,000 different types of shadows. 634 00:31:30,000 --> 00:31:31,000 Did you see it that time? 635 00:31:31,000 --> 00:31:33,000 I saw it that last time. 636 00:31:33,000 --> 00:31:34,000 It raced... 637 00:31:34,000 --> 00:31:35,000 Right here. 638 00:31:35,000 --> 00:31:36,000 Yeah. 639 00:31:36,000 --> 00:31:38,000 And then I saw it go this way. 640 00:31:38,000 --> 00:31:40,000 See, I only saw it that way. 641 00:31:40,000 --> 00:31:42,000 And then when you saw it, that way again. 642 00:31:42,000 --> 00:31:43,000 Yeah. 643 00:31:43,000 --> 00:31:45,000 So we left our equipment in that room 644 00:31:45,000 --> 00:31:47,000 hoping to catch that shadow again 645 00:31:47,000 --> 00:31:49,000 and moved into the dining room. 646 00:31:50,000 --> 00:31:52,000 Can you light up a candle? 647 00:31:53,000 --> 00:31:55,000 Can you move something? Do anything? 648 00:31:57,000 --> 00:31:59,000 A gentleman wearing a plaid shirt? 649 00:32:01,000 --> 00:32:02,000 Light a candle. 650 00:32:04,000 --> 00:32:06,000 If that's you, that smells like... 651 00:32:11,000 --> 00:32:13,000 Is that just a voice? 652 00:32:13,000 --> 00:32:15,000 Yeah, a knock over there. 653 00:32:15,000 --> 00:32:20,000 All of a sudden, we heard what sounded like a man mumbling something. 654 00:32:20,000 --> 00:32:22,000 That's the weirdest thing. 655 00:32:22,000 --> 00:32:23,000 I don't know. 656 00:32:23,000 --> 00:32:25,000 I wish we knew who this guy was in the plaid shirt. 657 00:32:26,000 --> 00:32:27,000 Listen. 658 00:32:30,000 --> 00:32:31,000 Did you hear it again? 659 00:32:31,000 --> 00:32:32,000 Yeah. 660 00:32:35,000 --> 00:32:37,000 Can you say that again? 661 00:32:39,000 --> 00:32:41,000 They were voices, very clear. 662 00:32:41,000 --> 00:32:42,000 I don't know what they were. 663 00:32:42,000 --> 00:32:43,000 I can't explain them. 664 00:32:43,000 --> 00:32:44,000 There's no one there. 665 00:32:44,000 --> 00:32:46,000 No reason for them to be there. 666 00:32:46,000 --> 00:32:47,000 I don't know. 667 00:32:47,000 --> 00:32:48,000 I don't know what to say. 668 00:32:48,000 --> 00:32:49,000 The shadows. 669 00:32:49,000 --> 00:32:50,000 Voices, shadows. 670 00:32:50,000 --> 00:32:51,000 Voices. 671 00:32:51,000 --> 00:32:53,000 Yeah, and that was definitely a male voice. 672 00:32:53,000 --> 00:32:54,000 It was a deep. 673 00:32:54,000 --> 00:32:56,000 And all you heard is their own voice, yeah. 674 00:32:56,000 --> 00:32:57,000 You know? 675 00:32:58,000 --> 00:33:00,000 Can't even make out what it was saying. 676 00:33:05,000 --> 00:33:08,000 Amy and Chris, we are in the cupola, 677 00:33:08,000 --> 00:33:13,000 where Fred hung himself through our leans in. 678 00:33:13,000 --> 00:33:15,000 Chris and I investigated the cupola area, 679 00:33:15,000 --> 00:33:18,000 where there is a claim of hearing a disembodied voice. 680 00:33:18,000 --> 00:33:25,000 Zero, point one, point two, zero. 681 00:33:25,000 --> 00:33:28,000 So of course, we checked out the EMF levels, 682 00:33:28,000 --> 00:33:31,000 and I didn't get anything higher than a point two. 683 00:33:31,000 --> 00:33:34,000 Hello, is there someone up here with us tonight? 684 00:33:35,000 --> 00:33:38,000 We heard that Fred hung himself. 685 00:33:38,000 --> 00:33:41,000 Is Fred here, or is there somebody else here 686 00:33:41,000 --> 00:33:43,000 that could tell us about what happened to him? 687 00:33:43,000 --> 00:33:45,000 It's very well known in these parts 688 00:33:45,000 --> 00:33:47,000 that someone did hang himself in that area, 689 00:33:47,000 --> 00:33:50,000 and his body was there for a few days before it was found. 690 00:33:50,000 --> 00:33:53,000 So I think that if you're not somebody 691 00:33:53,000 --> 00:33:56,000 that's used to being around that kind of an environment, 692 00:33:56,000 --> 00:33:58,000 it might be pretty disconcerting. 693 00:33:58,000 --> 00:34:04,000 I can't imagine being upset enough to do what you've done. 694 00:34:07,000 --> 00:34:10,000 Just people reached the end of their rope, you know? 695 00:34:10,000 --> 00:34:14,000 They're just a poor choice of words. 696 00:34:14,000 --> 00:34:18,000 Sorry, I'm going to hell. 697 00:34:20,000 --> 00:34:22,000 No, they're just hanging around. 698 00:34:25,000 --> 00:34:27,000 This place is pretty dead, Amy. 699 00:34:28,000 --> 00:34:31,000 That was awful. It was awful. 700 00:34:31,000 --> 00:34:35,000 It was a poor choice, and I feel badly for it. 701 00:34:35,000 --> 00:34:38,000 I do love this. I can't think. 702 00:34:39,000 --> 00:34:42,000 Chris, Amy, let's get the lights on our wrap, guys. 703 00:34:45,000 --> 00:34:48,000 So the Orleans Inn turned out to be a great investigation. 704 00:34:48,000 --> 00:34:51,000 We had a scream we heard. We heard voices responding to us. 705 00:34:51,000 --> 00:34:53,000 We also saw a shadow. 706 00:34:53,000 --> 00:34:55,000 I saw a shadow three times past behind my camera man. 707 00:34:55,000 --> 00:34:58,000 Faster, faster, faster. Come on. 708 00:34:58,000 --> 00:35:01,000 All in all, I think the investigation went great. 709 00:35:01,000 --> 00:35:03,000 I was really excited about being here, 710 00:35:03,000 --> 00:35:06,000 and I look forward to analyzing the evidence over the next few days 711 00:35:06,000 --> 00:35:08,000 and seeing what turns up. 712 00:35:14,000 --> 00:35:17,000 Tenor and I are getting ready to review the evidence for the Orleans Inn. 713 00:35:17,000 --> 00:35:19,000 We have a lot of stuff to go over. 714 00:35:19,000 --> 00:35:21,000 We ran a lot of equipment that night. 715 00:35:21,000 --> 00:35:24,000 We even ran, you know, off of their security system. 716 00:35:24,000 --> 00:35:26,000 We had to get the cameras, and we had to end lines. 717 00:35:26,000 --> 00:35:28,000 So we've asked Britt to help us out. 718 00:35:28,000 --> 00:35:30,000 It'll be a long analysis, but we're all excited for it. 719 00:35:30,000 --> 00:35:32,000 There were some personal experiences, 720 00:35:32,000 --> 00:35:34,000 and there's been a lot of stories there. 721 00:35:34,000 --> 00:35:36,000 So hopefully we'll find some stuff that can, you know, 722 00:35:36,000 --> 00:35:38,000 go over to the Inn and make them happy. 723 00:35:38,000 --> 00:35:41,000 Britt, you don't mind taking all that security system, of course, 724 00:35:41,000 --> 00:35:43,000 all those tapes. 725 00:35:43,000 --> 00:35:45,000 I'll do many DVEs and digital recorders. 726 00:35:45,000 --> 00:35:48,000 I'll take DVR and some digital audio, 727 00:35:48,000 --> 00:35:51,000 and in between all of us, we'll get through the wireless audio. 728 00:35:51,000 --> 00:35:53,000 Okay. 729 00:35:54,000 --> 00:35:56,000 Let's go. 730 00:36:03,000 --> 00:36:05,000 That's weird, guys. 731 00:36:05,000 --> 00:36:08,000 Um, Britt, this is you and Joe. 732 00:36:08,000 --> 00:36:10,000 In Paul's room, you guys just started, 733 00:36:10,000 --> 00:36:13,000 and I kind of hear sounds like a whisper, 734 00:36:13,000 --> 00:36:15,000 but it's not you guys. 735 00:36:15,000 --> 00:36:17,000 I want to get you guys' take on it, all right? 736 00:36:17,000 --> 00:36:19,000 Um, the claim down here is that somebody 737 00:36:19,000 --> 00:36:21,000 is right in there, and then the door is shut. 738 00:36:21,000 --> 00:36:23,000 Right there? No? 739 00:36:23,000 --> 00:36:25,000 No. 740 00:36:25,000 --> 00:36:27,000 What does it sound like to you? 741 00:36:27,000 --> 00:36:29,000 If somebody's finger going over the microphone, I think... 742 00:36:29,000 --> 00:36:31,000 It does. It could sound like that. You're right. 743 00:36:31,000 --> 00:36:33,000 I would think of it just firing up, 744 00:36:33,000 --> 00:36:35,000 that we'd probably pick the cord or set it down 745 00:36:35,000 --> 00:36:37,000 and just bump it against something. 746 00:36:37,000 --> 00:36:39,000 Cool. All right, guys. Thanks. 747 00:36:39,000 --> 00:36:41,000 Thanks. 748 00:36:46,000 --> 00:36:48,000 Hey, Tango. Hey, Britt. 749 00:36:48,000 --> 00:36:50,000 What's up? 750 00:36:50,000 --> 00:36:52,000 Take a listen to this for me, if you don't mind. 751 00:36:52,000 --> 00:36:54,000 All right. 752 00:36:54,000 --> 00:36:56,000 This is actually you and I investigating in the cupola. 753 00:36:56,000 --> 00:36:58,000 All right. 754 00:36:58,000 --> 00:37:00,000 And we're not asking any questions. 755 00:37:00,000 --> 00:37:02,000 We're not really doing much at the time, 756 00:37:02,000 --> 00:37:05,000 but your voice kind of come out of nowhere. 757 00:37:05,000 --> 00:37:07,000 Okay. 758 00:37:07,000 --> 00:37:09,000 I don't know what you think. 759 00:37:11,000 --> 00:37:13,000 Oh. Yeah, that's crazy. 760 00:37:19,000 --> 00:37:21,000 Hey, Ryan. How you been? 761 00:37:21,000 --> 00:37:23,000 We're excited to see if there's anything that you found. 762 00:37:23,000 --> 00:37:25,000 All right. Well, when we first got into the building, 763 00:37:25,000 --> 00:37:27,000 we came into the dining room. 764 00:37:27,000 --> 00:37:30,000 We lit the various candles on the table, 765 00:37:30,000 --> 00:37:32,000 let them burn for a little bit while we investigated 766 00:37:32,000 --> 00:37:34,000 the upstairs, came back and blew them out 767 00:37:34,000 --> 00:37:36,000 to see if they would relight, 768 00:37:36,000 --> 00:37:38,000 but unfortunately it didn't happen. 769 00:37:38,000 --> 00:37:40,000 There were some interesting things that did happen. 770 00:37:40,000 --> 00:37:42,000 One thing downstairs in the lobby, 771 00:37:42,000 --> 00:37:44,000 Grant and I were in there investigating. 772 00:37:44,000 --> 00:37:46,000 At one point, we did get what sounded like 773 00:37:46,000 --> 00:37:48,000 just a quick response to us. 774 00:37:48,000 --> 00:37:50,000 It was just too far off in the distance. 775 00:37:50,000 --> 00:37:52,000 The recorders didn't pick it up, 776 00:37:52,000 --> 00:37:54,000 but Grant, myself and even our cameraman 777 00:37:54,000 --> 00:37:56,000 was able to hear it. Okay. 778 00:37:56,000 --> 00:37:58,000 Also in the lobby that night, Grant and I, 779 00:37:58,000 --> 00:38:00,000 we're able to see what looked like a shadow 780 00:38:00,000 --> 00:38:02,000 pass right behind our cameraman. 781 00:38:03,000 --> 00:38:05,000 Who was that? 782 00:38:05,000 --> 00:38:07,000 Yeah, did you see that? 783 00:38:07,000 --> 00:38:09,000 I looked like someone walked right towards the door. 784 00:38:09,000 --> 00:38:11,000 Did you not see that? 785 00:38:11,000 --> 00:38:13,000 I was sitting there and saw a form 786 00:38:13,000 --> 00:38:15,000 move from right to left behind him. 787 00:38:15,000 --> 00:38:17,000 I had the camera pointing in that direction, 788 00:38:17,000 --> 00:38:19,000 but unfortunately the IR on it was too strong. 789 00:38:19,000 --> 00:38:21,000 It doesn't pick up the subtle light changes there, 790 00:38:21,000 --> 00:38:23,000 but it was interesting. 791 00:38:23,000 --> 00:38:25,000 And we, up on the second floor, 792 00:38:25,000 --> 00:38:27,000 Jay and I were in room five, 793 00:38:27,000 --> 00:38:29,000 and from the other side of the wall, 794 00:38:29,000 --> 00:38:31,000 it sounded like maybe in the stairwell 795 00:38:31,000 --> 00:38:34,000 or the hallway, we heard a woman scream. 796 00:38:34,000 --> 00:38:36,000 I don't feel that there's anything in the... 797 00:38:36,000 --> 00:38:38,000 Oh. 798 00:38:38,000 --> 00:38:40,000 What was that? 799 00:38:40,000 --> 00:38:42,000 I don't know. 800 00:38:42,000 --> 00:38:44,000 It sounded like a scream. 801 00:38:44,000 --> 00:38:46,000 Initially, we thought maybe it was Chris and Amy, 802 00:38:46,000 --> 00:38:48,000 two of our investigators, 803 00:38:48,000 --> 00:38:50,000 so we quickly picked up the walkie and checked with them. 804 00:38:50,000 --> 00:38:52,000 They, it wasn't them, they didn't hear it, 805 00:38:52,000 --> 00:38:54,000 and they were also in a different part 806 00:38:54,000 --> 00:38:56,000 of the building investigating. 807 00:38:56,000 --> 00:38:59,000 Maybe it came from outside, except outside 808 00:38:59,000 --> 00:39:01,000 and it was the opposite direction where we heard it from. 809 00:39:01,000 --> 00:39:04,000 And it wasn't blood-curdling scream. 810 00:39:04,000 --> 00:39:06,000 It was pretty faint. 811 00:39:06,000 --> 00:39:09,000 We actually had a pipe burst right above that 812 00:39:09,000 --> 00:39:12,000 two years ago and had to redo that room 813 00:39:12,000 --> 00:39:14,000 when we put soundboard on that wall 814 00:39:14,000 --> 00:39:17,000 to make sure that there was no sounds coming in and around. 815 00:39:17,000 --> 00:39:19,000 I wonder how loud it actually was, 816 00:39:19,000 --> 00:39:21,000 because it is sound-rated. 817 00:39:21,000 --> 00:39:23,000 That changes a few things, yeah. 818 00:39:23,000 --> 00:39:26,000 It was pretty loud, where we had the door closed 819 00:39:26,000 --> 00:39:28,000 and we were able to hear that. 820 00:39:28,000 --> 00:39:31,000 The drywall itself was rated for each sheet equals 821 00:39:31,000 --> 00:39:33,000 eight sheets of regular drywall, 822 00:39:33,000 --> 00:39:35,000 so it might have been louder than you actually think 823 00:39:35,000 --> 00:39:36,000 if you were in that room. 824 00:39:36,000 --> 00:39:37,000 Interesting. 825 00:39:37,000 --> 00:39:39,000 Well, but throughout the night, again, 826 00:39:39,000 --> 00:39:42,000 Chris and Amy, who were experiencing the whispers up in the cupola, 827 00:39:42,000 --> 00:39:45,000 were in room four, and they were trying to make contact. 828 00:39:45,000 --> 00:39:47,000 And one of the ways we try to do that is, 829 00:39:47,000 --> 00:39:50,000 we like using K2 meters, but also we use flashlights, 830 00:39:50,000 --> 00:39:53,000 and we try to set the sensitivity very easy on the flashlight, 831 00:39:53,000 --> 00:39:56,000 where it would take the slightest touch to make the light turn on. 832 00:39:56,000 --> 00:40:00,000 And then we try to ask questions for yes, you know, light up, 833 00:40:00,000 --> 00:40:03,000 for no, and you don't light up the light at all. 834 00:40:03,000 --> 00:40:05,000 With that, they had a fairly impressive session 835 00:40:05,000 --> 00:40:08,000 where the light would seemingly respond to their questions. 836 00:40:08,000 --> 00:40:10,000 During that time while they were in room four, 837 00:40:10,000 --> 00:40:13,000 they were hearing what sounded like footsteps above them. 838 00:40:13,000 --> 00:40:15,000 And Amy and Chris both said, 839 00:40:15,000 --> 00:40:17,000 is there somebody above us? 840 00:40:17,000 --> 00:40:20,000 We do have that video, and the footsteps are hard to hear, 841 00:40:20,000 --> 00:40:22,000 but you'll see the flashlight and so forth, 842 00:40:22,000 --> 00:40:23,000 and we'll get you taken on it. 843 00:40:23,000 --> 00:40:24,000 Okay, great. 844 00:40:24,000 --> 00:40:26,000 Just keep your eye on the flashlight. 845 00:40:29,000 --> 00:40:31,000 The steps in the hallway. 846 00:40:31,000 --> 00:40:33,000 Is that what this is for, though? 847 00:40:33,000 --> 00:40:35,000 It's not like it's above us. 848 00:40:35,000 --> 00:40:37,000 Is there another floor or us? 849 00:40:37,000 --> 00:40:39,000 You're hearing footsteps? 850 00:40:39,000 --> 00:40:41,000 Nobody's up there though, right? 851 00:40:41,000 --> 00:40:43,000 Is there somebody upstairs? 852 00:40:45,000 --> 00:40:47,000 Hannah? 853 00:40:48,000 --> 00:40:50,000 Who's upstairs? 854 00:40:51,000 --> 00:40:54,000 So for this to happen to Chris and Amy, 855 00:40:54,000 --> 00:40:56,000 I think it's kind of a cool experience. 856 00:40:56,000 --> 00:40:58,000 I would have been up the door. 857 00:40:58,000 --> 00:41:01,000 And the last piece of evidence we have to show you 858 00:41:01,000 --> 00:41:03,000 is definitely one of the coolest pieces we caught that night. 859 00:41:03,000 --> 00:41:06,000 Two of our investigators, Steve and Tango, 860 00:41:06,000 --> 00:41:08,000 were in the cupola and they were investigating. 861 00:41:08,000 --> 00:41:10,000 We were able to catch a voice 862 00:41:10,000 --> 00:41:12,000 saying what we believed to be a sentence. 863 00:41:12,000 --> 00:41:14,000 Steve and Tango were unable to hear it 864 00:41:14,000 --> 00:41:16,000 during the time of the investigation, 865 00:41:16,000 --> 00:41:18,000 but showed up later on the recorders. 866 00:41:18,000 --> 00:41:20,000 Listen to it several times before you take a guess. 867 00:41:20,000 --> 00:41:23,000 And I'm gonna loop it, so it's gonna play over and over again. 868 00:41:31,000 --> 00:41:32,000 Can you hear a voice? 869 00:41:32,000 --> 00:41:34,000 I definitely hear something. 870 00:41:34,000 --> 00:41:36,000 I'm here and let me out. 871 00:41:36,000 --> 00:41:37,000 Let me out? Okay. 872 00:41:37,000 --> 00:41:39,000 Can I listen? 873 00:41:44,000 --> 00:41:46,000 You know, let me out. 874 00:41:46,000 --> 00:41:48,000 Some of us thought it was saying that. 875 00:41:48,000 --> 00:41:50,000 Some other people thought it sounded like it was saying, 876 00:41:50,000 --> 00:41:52,000 get me down. 877 00:41:54,000 --> 00:41:56,000 Which is strange because that's an area 878 00:41:56,000 --> 00:41:58,000 that an employee had hung himself. 879 00:41:58,000 --> 00:41:59,000 Yes. 880 00:41:59,000 --> 00:42:00,000 Here's the thing. 881 00:42:00,000 --> 00:42:02,000 Everything that we experienced 882 00:42:02,000 --> 00:42:04,000 didn't threaten us by any means. 883 00:42:04,000 --> 00:42:06,000 It certainly didn't scare us. 884 00:42:06,000 --> 00:42:09,000 And it gave us strong evidence that 885 00:42:09,000 --> 00:42:11,000 based on the experience you shared with us 886 00:42:11,000 --> 00:42:13,000 and our own experiences, 887 00:42:13,000 --> 00:42:15,000 that if there is something here, 888 00:42:15,000 --> 00:42:17,000 it's not a problem. 889 00:42:17,000 --> 00:42:18,000 Okay? 890 00:42:18,000 --> 00:42:20,000 Now, you're in the hospitality business. 891 00:42:20,000 --> 00:42:22,000 If you look at it from the angle that they're just people 892 00:42:22,000 --> 00:42:23,000 passing through, 893 00:42:23,000 --> 00:42:24,000 it might make it easier. 894 00:42:24,000 --> 00:42:25,000 Definitely. 895 00:42:25,000 --> 00:42:26,000 Just because you don't have a body 896 00:42:26,000 --> 00:42:28,000 doesn't mean that their mentality has changed. 897 00:42:28,000 --> 00:42:29,000 Thank you for the advice. 898 00:42:29,000 --> 00:42:30,000 No problem. 899 00:42:30,000 --> 00:42:31,000 I mean, you need anything. 900 00:42:31,000 --> 00:42:32,000 You just took all the way. 901 00:42:32,000 --> 00:42:34,000 Or if you just need another walkthrough or whatever, 902 00:42:34,000 --> 00:42:35,000 let us know. 903 00:42:35,000 --> 00:42:36,000 I'll help you to come up. 904 00:42:36,000 --> 00:42:37,000 Great. 905 00:42:37,000 --> 00:42:38,000 All right, Matt. 906 00:42:38,000 --> 00:42:39,000 Thank you so much. 907 00:42:39,000 --> 00:42:40,000 Thank you. 908 00:42:40,000 --> 00:42:41,000 It's been a great experience. 909 00:42:41,000 --> 00:42:42,000 Likewise. 910 00:42:42,000 --> 00:42:44,000 Come on, let's get out of here. 911 00:42:44,000 --> 00:42:46,000 I'm feeling a little shaky about it. 912 00:42:46,000 --> 00:42:48,000 That flashlight gave me a little bit to think about 913 00:42:48,000 --> 00:42:50,000 and also the voice up in the cupola. 914 00:42:50,000 --> 00:42:53,000 It's not something I want to fully explore right now. 915 00:42:53,000 --> 00:42:56,000 I'm so thankful that Taps was able to come to the Orleans 916 00:42:56,000 --> 00:42:58,000 and I can't wait to continue on here 917 00:42:58,000 --> 00:43:02,000 and let Taps know if anything else happens. 918 00:43:04,000 --> 00:43:06,000 Well, Ryan seemed a little shaken up by some of that, man, 919 00:43:06,000 --> 00:43:08,000 but I think he seemed to understand 920 00:43:08,000 --> 00:43:10,000 how we were trying to take the fear away from him. 921 00:43:10,000 --> 00:43:12,000 Yeah, it seems like he spent his whole life 922 00:43:12,000 --> 00:43:13,000 kind of trying to push it away. 923 00:43:13,000 --> 00:43:15,000 Figure out a way to work together, 924 00:43:15,000 --> 00:43:16,000 and you won't be so terrified. 925 00:43:16,000 --> 00:43:17,000 That's right. 926 00:43:17,000 --> 00:43:18,000 Some good evidence, though. 927 00:43:18,000 --> 00:43:20,000 And what was interesting is 928 00:43:20,000 --> 00:43:22,000 how he talked about that soundproofing in the wall. 929 00:43:22,000 --> 00:43:24,000 That explains why that scream was so... 930 00:43:24,000 --> 00:43:25,000 So it was a muffled. 931 00:43:25,000 --> 00:43:26,000 Very interesting stuff. 932 00:43:26,000 --> 00:43:28,000 Well, I think this was a good case, man. 933 00:43:28,000 --> 00:43:30,000 It's always nice to be on a Cape God. 934 00:43:30,000 --> 00:43:31,000 Yes. 935 00:43:31,000 --> 00:43:32,000 Good job, man. 936 00:43:32,000 --> 00:43:33,000 Excellent job. 937 00:43:33,000 --> 00:43:34,000 On to the next.